Related to: 'Anna Claybourne'

Wayland

Autumn

Anna Claybourne
Authors:
Anna Claybourne

Discover science, technology, engineering, art and maths (STEAM) through original craft projects and recycle at the same time!This brilliant series combines learning science with seasonal craft projects, scientific experiments and fun activities. In Autumn make your own spider's web, create an erupting pumpkin or examine leaf fossils plus there's many more fascinating ideas to try out.Combining fun photos, illustrated step by step artwork and a dose of eco-friendly fun, STEAM through the seasons will ensure plenty to occupy any 6-8 year old!

Wayland

Winter

Anna Claybourne
Authors:
Anna Claybourne

Discover science, technology, engineering, art and maths (STEAM) through original craft projects and recycle at the same time!This brilliant series combines learning science with seasonal craft projects, scientific experiments and fun activities. In Winter why not create some ice balloons, investigate crystals or design your own bottle bird feeder plus many more fascinating ideas to try out.Combining fun photos, illustrated step by step artwork and a dose of eco-friendly fun, STEAM through the seasons will ensure plenty to occupy any 6-8 year old!

Franklin Watts

This Drop of Water

Anna Claybourne
Authors:
Anna Claybourne

A beautifully illustrated look at our wonderful watery worldThis Drop of Water begins with a thunderstorm on a hot summer day. Suddenly - splash! A drop of water hits a girl right on the nose. Where did it come from? And where will it go? She wants to know! The book uses this simple premise as a jumping-off point to explore what water is, where it comes from and how essential it is to life here on Earth. It explores topics as important and wide-ranging as how the Earth formed, the water cycle, clouds and the tides. It also highlights just how precious a resource water is. A beautifully illustrated picture book with friendly narrative text by the award-winning author of This Little Pebble, which was shortlisted for prestigious science and art awards, This Drop of Water will make the topic come alive for readers aged 7 and up.List of contents:Thunderstorm!Watery worldIt came from outer spaceFlowing downhillInto the oceansUnderwaterOut of the seaCloudsHere comes the rain!The big freezeWater shapes the worldWater undergroundWater for plantsWater for animalsWater for usTurn on the tap!Down the plugholePrecious waterWeird waterRound and roundWater activitiesGlossary and index

Wayland

Hamlet

Anna Claybourne, Tom Morgan-Jones
Contributors:
Anna Claybourne, Tom Morgan-Jones
Wayland

Much Ado About Nothing

Anna Claybourne, Tom Morgan-Jones
Contributors:
Anna Claybourne, Tom Morgan-Jones

Some Cupid kills with arrows, some with traps... Mistaken identities, deceipt, lovers' quarrels and a happy ending... discover the entertaining story at the heart of Much Ado About Nothing, one of Shakespeare's best-loved comedies. The age-appropriate text in Short, Sharp Shakespeare Stories: Much Ado About Nothing introduces readers to the play by re-telling the story in modern English. It's an ideal introduction to Shakespeare for children of 9 and above, and perfect for fans of the Tony Ross and Andrew Matthews series Shakespeare Stories. The book also contains information about the background to Much Ado About Nothing, its major themes, language, the Globe theatre, and Shakespeare's life during the time he was writing the play, so is a useful resource for project work, or for anyone studying the play itself. Gossip, and its role in society in 16th century England, is also examined.Anna Claybourne's concise, witty text really brings out the humour and the drama of the stories, rendering them as relevant today as they were in Shakespeare's time. Comparisons with themes in modern life: love, revenge, family relationships, political power struggles, etc., serve to reinforce this.The text is supported by Tom Morgan-Jones' fantastic artwork, giving the series real visual appeal. Short, Sharp Shakespeare Stories allow children today to be as enthralled by Shakespeare's tales as audiences were 400 years ago. Publishing to coincide with the 450th anniversary of Shakespeare's birth, they are an ideal resource for project work connected to this, or to Shakespeare Week 2015. Other titles in the series include Macbeth, A Midsummer Night's Dream, The Tempest, Romeo and Juliet and Hamlet.

Wayland

Romeo and Juliet

Anna Claybourne, Tom Morgan-Jones
Contributors:
Anna Claybourne, Tom Morgan-Jones

Romeo, Romeo, wherefore art thou Romeo? Two families at war, and a pair of young, star-crossed lovers caught in the crossfire... Discover the tragic story at the heart of Romeo and Juliet, Shakespeare's most famous play. The age-appropriate text in Short, Sharp Shakespeare Stories: Romeo and Juliet introduces readers to the play by re-telling the story in modern English. It's an ideal introduction to Shakespeare for children of 9 and above, and perfect for fans of the Tony Ross and Andrew Matthews series Shakespeare Stories. The book also contains information about the background to Romeo and Juliet, its major themes, language, the Globe theatre, and Shakespeare's life during the time he was writing the play, so is a useful resource for project work, or for anyone studying the play itself. Poisons, and their application in 16th century England, are also examined, to give the play a factual grounding.Anna Claybourne's concise, witty text really brings out the humour and the drama of the stories, rendering them as relevant today as they were in Shakespeare's time. Comparisons with themes in modern life: love, revenge, family relationships, political power struggles, etc., serve to reinforce this.The text is supported by Tom Morgan-Jones' fantastic artwork, giving the series real visual appeal. Short, Sharp Shakespeare Stories allow children today to be as enthralled by Shakespeare's tales as audiences were 400 years ago. Publishing to coincide with the 450th anniversary of Shakespeare's birth, they are the ideal resource for project work connected to this, or to Shakespeare Week 2015. Other titles in the series include Macbeth, A Midsummer Night's Dream, The Tempest, Much Ado About Nothing and Hamlet.

Wayland

The Tempest

Anna Claybourne, Tom Morgan-Jones
Contributors:
Anna Claybourne, Tom Morgan-Jones

Be not afeard, the isle is full of noises... A powerful storm, a dramatic shipwreck, an enchanted island, a sorcerer's daughter and a handsome prince... Discover the magical story at the heart of The Tempest, one of Shakespeare's best-loved plays. The age-appropriate text in Short, Sharp Shakespeare Stories: The Tempest introduces readers to the play by re-telling the story in modern English. It's an ideal introduction to Shakespeare for children of 9 and above, and perfect for fans of the Tony Ross and Andrew Matthews series Shakespeare Stories. The book also contains information about the background to The Tempest, its major themes, language, the Globe theatre, and Shakespeare's life during the time he was writing the play, so is a useful resource for project work, or for anyone studying the play itself. Magic, and its meaning in 16th century England, are also examined.Anna Claybourne's concise, witty text really brings out the humour and the drama of the stories, rendering them as relevant today as they were in Shakespeare's time. Comparisons with themes in modern life: love, revenge, family relationships, political power struggles, etc., serve to reinforce this.The text is supported by Tom Morgan-Jones' fantastic artwork, giving the series real visual appeal. Short, Sharp Shakespeare Stories allow children today to be as enthralled by Shakespeare's tales as audiences were 400 years ago. Publishing to coincide with the 450th anniversary of Shakespeare's birth, they are the ideal resource for project work connected to this, or to Shakespeare Week 2015. Other titles in the series include Macbeth, A Midsummer Night's Dream, Romeo and Juliet, Much Ado About Nothing and Hamlet.

Wayland

Midsummer Night's Dream

Anna Claybourne, Tom Morgan-Jones
Contributors:
Anna Claybourne, Tom Morgan-Jones
Wayland

Macbeth

Anna Claybourne, Tom Morgan-Jones
Contributors:
Anna Claybourne, Tom Morgan-Jones

Is this a dagger which I see before me...?A power-hungry general, his crazed wife, three interfering witches and some terrifying ghosts... Read on, through murder and mayhem, to discover the gripping story of Macbeth, one of Shakespeare's most famous tragedies.Contains information about the background to Macbeth, its major themes, language, and Shakespeare's life during the time he was writing the play. Witches and witchcraft in 16th century England are also examined, to give the context in which the play was written. The Short, Sharp Shakespeare series consists of six books that retell Shakespeare's most famous plays in modern English. Clever illustrations accompany each title, making them a great introduction to the Bard for children aged 9 and above.

Franklin Watts

Ear-splitting Sounds and Other Vile Noises

Anna Claybourne
Authors:
Anna Claybourne
Wayland

A Killer Shark

Tom Jackson
Authors:
Tom Jackson
Hodder Children's Books

Fangs 'n' Fire

Chris Mould
Authors:
Chris Mould

Paul Mason

Paul's books cover a wide range of subjects, from whether the Romans ate crisps to how to build the world's best skatepark, but he writes mostly about sport. Whether you are interested in swimming, cycling, snowboarding, surfing or another sport, Paul has probably written something that will inspire you to get out and give it a try. Paul writes in a shack by the beach, which he shares with his one-eyed surf dog, Daisy.

Author Spotlight with Graham Marks

Lucy Cooke

Lucy Cooke is, in her own words, ‘a National Geographic explorer, award-winning TV producer, presenter and best-selling author with a Masters in zoology and a passion for odd animals’. She has also founded Slothville.com, the HQ of the Sloth Appreciation Society. Here she talks to Graham Marks about how an online video changed her life, how to pronounce the word ‘sloth’ correctly, and about her new book The Power of Sloth...

Author Spotlight with Graham Marks

Chris Higgins

Chris Higgins is an ex English and Drama teacher turned award-winning writer. She has written the My Funny Family series for younger readers, but is probably best known for her teen novels, which have gained her two nominations for Queen of Teen. Here she talks to Graham Marks about how she became a writer, tells us some of her writing secrets and talks about her latest novel, The Day I Met Suzie.

Wikipedia

Enid Blyton

Enid Mary Blyton (11 August 1897 – 28 November 1968) was a Britishchildren's writer also known as Mary Pollock. She is noted for numerous series of books based on recurring characters and designed for different age groups. Her books have enjoyed huge success in many parts of the world, and have sold over 600 million copies.[1] One of Blyton's most widely known characters is Noddy, intended for early years readers. However, her main work is the genre of young readers' novels in which children have their own adventures with minimal adult help. Series of this type include the Famous Five (21 novels, 1942–1963, based on four children and their dog), the Five Find-Outers and Dog, (15 novels, 1943–1961, where five children regularly outwit the local police) as well as The Secret Seven (15 novels, 1949–1963, a society of seven children who solve various mysteries). Her work involves children's adventure stories, and fantasy, sometimes involving magic. Her books were and still are enormously popular throughout the Commonwealth and across most of the globe. Her work has been translated into nearly 90 languages. Blyton's literary output was of an estimated 800 books over roughly 40 years. Chorion Limited of London now owns and handles the intellectual properties and character brands of Blyton's Noddy and the well known series the Famous Five. Blyton was born on 11 August 1897 at 354 Lordship Lane, East Dulwich, London, England, the eldest child of Thomas Carey Blyton (1870–1920), a salesman of cutlery, and his wife, Theresa Mary Harrison Blyton (1874–1950). There were two younger brothers, Hanly (1899–1983) and Carey (1902–1976), who were born after the family had moved to the nearby suburb of Beckenham—in Oakwood Avenue. Blyton adored her father and was devastated after he left the family to live with another woman; this has often been cited as the reason behind her emotional immaturity. Blyton and her mother did not have a good relationship, and later in life, Blyton claimed to others that her mother was dead. After both her parents did die, Blyton attended neither of their funerals. From 1907 to 1915, Blyton was educated at St. Christopher's School in Beckenham, leaving as head girl. She enjoyed physical activities along with some academic work, but not maths. Blyton was a talented pianist, but gave up her musical studies when she trained as a teacher at Ipswich High School.[2] She taught for five years at Bickley, Surbiton and Chessington, writing in her spare time. Her first book, Child Whispers, a collection of poems, was published in 1922. On 28 August 1924 Blyton married Major Hugh Alexander Pollock, DSO (1888–1971), editor of the book department in the publishing firm of George Newnes, which published two of her books that year. The couple moved to Bourne End, Buckinghamshire (Peterswood in her books).[3] Eventually they moved to a house in Beaconsfield, named Green Hedges by Blyton's readers following a competition in Sunny Stories. They had two children: Gillian Mary Baverstock (15 July 1931 – 24 June 2007) and Imogen Mary Smallwood (born 27 October 1935). In the mid-1930s Blyton experienced a spiritual crisis, but she decided against converting to Roman Catholicism from the Church of England because she had felt it was "too restricting". Although she rarely attended church services, she saw that her two daughters were baptised into the Anglican faith and went to the local Sunday School. Since her death in 1968 and the publication of her daughter Imogen's autobiography, A Childhood at Green Hedges, Blyton has emerged as an emotionally immature, unstable and often malicious figure. By 1939 her marriage to Pollock was in difficulties, and she began a series of affairs. In 1941 she met Kenneth Fraser Darrell Waters, a London surgeon with whom she began a relationship. During her divorce, Blyton blackmailed Pollock into taking full blame for the failure of the marriage, knowing that exposure of her adultery would ruin her public image. She promised that if he admitted to charges of infidelity, she would allow him unlimited access to their daughters. However, after the divorce, Pollock was forbidden to contact his daughters, and Blyton ensured he was unable to find work in publishing afterwards. He turned to drinking heavily and was forced to petition for bankruptcy. Blyton and Darrell Waters married at the City of Westminster Register Office on 20 October 1943, and she subsequently changed the surname of her two daughters to Darrell Waters. Pollock remarried thereafter. Blyton's second marriage was very happy and, as far as her public image was concerned, she moved smoothly into her role as a devoted doctor's wife, living with him and her two daughters at Green Hedges. Blyton's husband died in 1967. During the following months, she became increasingly ill. Afflicted by Alzheimer's disease, Blyton was moved into a nursing home three months before her death; she died at the Greenways Nursing Home, London, on 28 November 1968, aged 71 years and was cremated at the Golders Green Crematorium where her ashes remain. Blyton's home, Green Hedges, was sold in 1971 and demolished in 1973. The area where Green Hedges once stood is now occupied by houses and a street called Blyton Close. A blue plaque commemorates Blyton at Hook Road in Chessington, where she lived from 1920-4. [4] Her daughter Imogen has been quoted as saying "The truth is Enid Blyton was arrogant, insecure, pretentious, very skilled at putting difficult or unpleasant things out of her mind, and without a trace of maternal instinct. As a child, I viewed her as a rather strict authority. As an adult I pitied her."[5] Elder daughter, Gillian, did not hold the same view toward their mother, and Imogen's biography of Blyton contains a foreword by Gillian to the effect that her memories of childhood with Enid Blyton were mainly happy ones. The Red Story Book, The Green Story Book, The Blue Story Book, Bedtime Stories are some other books by Enid Blyton. Blyton wrote hundreds of other books for young and older children: novels, story collections and some non-fiction. She also filled a large number of magazine pages, particularly the long-running Sunny Stories which were immensely popular among younger children. She used a pseudonym Mary Pollock for a few titles (middle name plus first married name). The last volumes in her most famous series were published in 1963. Many books still appeared after that, but were mainly story books made up from recycled work. Blyton also wrote numerous books on nature and Biblical themes. Her story The Land of Far-Beyond is a Christian parable along the lines of John Bunyan's Pilgrim's Progress, with modern children as the central characters. She also produced retellings of Old Testament and New Testament stories. Enid Blyton was a prolific author of short stories. These were first published, for the most part, in Sunny Stories, an Enid Blyton magazine, or other children's papers. She also used to explore the forests when she was a little girl and wrote of her dreams in a notebook kept by her bedside. In February 2011, the manuscript of a previously unknown Blyton novel, Mr Tumpy's Caravan, was discovered in a collection of her papers which had been auctioned in 2010[6] following the death of her elder daughter in 2007.[7] Blyton books are generally split into three types. One involves ordinary children in extraordinary situations, having adventures, solving crimes, or otherwise finding themselves in unusual circumstances. Examples include the Famous Five and Secret Seven, and the Adventure series. The second and more conventional type is the boarding school story; the plots of these have more emphasis on the day-to-day life at school. This is the world of the midnight feast, the practical joke, and the social interaction of the various types of character. Examples of this type are the Malory Towers stories, the St Clare's series, and the Naughtiest Girl books and are typical of the times — many comics of the day also contained similar types of story. The third type is the fantastical. Children are typically transported into a magical world in which they meet fairies, goblins, elves, pixies, or other fantasy creatures. Examples of this type are the Wishing-Chair books and The Faraway Tree. In many of her short stories, toys are shown to come alive when humans are not around. Enid Blyton's status as a bestselling author is in spite of disapproval of her works from various perspectives, which has led to altered reprints of the books and withdrawals or “bans” from libraries. In the 1990s, Chorion, the owners of Blyton's works, edited her books to remove passages that were deemed racist or sexist.[8] The children’s author Anne Fine presented an overview of the concerns about Blyton's work and responses to them on BBC Radio 4 in November 2008, in which she noted the “drip, drip, drip of disapproval” associated with the books.[9][10] It was frequently reported (in the 1950s and also from the 1980s onwards) that various children's libraries removed some of Blyton's works from the shelves. The history of such "Blyton bans" is confused. Some librarians certainly at times felt that Blyton's restricted use of language, a conscious product of her teaching background, militated against appreciation of more literary qualities. There was some precedent in the treatment of L. Frank Baum's Oz books (and the many sequels by others) by librarians in the United States in the 1930s. There were numerous critical comments about Blyton: claiming that her vocabulary was too limited, that she presented too rosy a view of the world, even suggestions that little Noddy's relationship with Big Ears was "suspect", that he was a poor role model for boys because he sometimes wept when frustrated and the laws were politically incorrect. A careful account of anti-Blyton attacks is given in Chapter 4 of Robert Druce's This Day Our Daily Fictions. The British Journal of Education in 1955 carried a piece by Janice Dohn, an American children's librarian, considering Blyton's writing together with authors of formula fiction, and making negative comments about Blyton's devices and tone. A 1958 article in Encounter by Colin Welch, directed against the Noddy character, was reprinted in a New Zealand librarians' periodical. This gave rise to the first rumour of a New Zealand "library ban" on Blyton's books, a recurrent press canard. Policy on buying and stocking Blyton's books by British public libraries drew attention in newspaper reports from the early 1960s to the end of the 1970s, as local decisions were made by a London borough, Birmingham, Nottingham and other central libraries. There is no evidence that her books' popularity ever suffered: her response to criticism is said to be that she was not interested in the views of critics aged over 12.[11] Blyton was defended by populist journalists, and others. In November 2009 it was revealed in the British press that the BBC had a longstanding ban on dramatising Blyton's books on the radio from the 1930s to the 1950s. Letters and memos from the BBC Archive show that producers and executives at the time described Blyton as a "tenacious second-rater" who wrote "stilted and longwinded" books which were not suitable to be broadcast. In 1936 Blyton wrote to the BBC suggesting herself as a broadcaster, pointing out that she had "written probably more books than any other writer." She was turned down. In 1938, Blyton's husband, Hugh Pollock, wrote to Sir John Reith, the then Director General of the BBC, pointing out that his wife was receiving letters from children from all parts of the British Empire, and that she should be allowed to speak to them via the radio. Jean E. Sutcliffe, of the BBC's schools broadcast department wrote, "Her stories...haven't much literary value. There is rather a lot of the Pink-winky-Doodle-doodle Dum-dumm type of name (and lots of pixies) in the original tales."[12][13] Enid Blyton tried to get her work on the radio again in 1940, but her manuscript was once more turned down, the BBC employee who reviewed it writing, "This is really not good enough. Very little happens and the dialogue is so stilted and long-winded...It really is odd to think that this woman is a bestseller." Eventually, in 1954, Blyton's works appeared on air for the first time. Jean Sutcliffe wrote of Blyton's ability to churn out "mediocre material", and that "Her capacity to do so, amounts to genius...anyone else would have died of boredom long ago." Michael Rosen, the former Children's Laureate, said of the BBC's ban on Blyton, "...the quality of the writing itself was poor...it was felt that there was a lot of snobbery and racism in the writing...There is all sorts of stuff about oiks and lower orders."[12] The books are very much of their time, particularly the titles published in the 1950s. They present the UK's class system — that is to say, "rough" versus "decent".[14] Many of Blyton's children's books similarly reflected negative stereotypes regarding gender, race, and class. One incidence of altering this type of dated material might be the altering of a statement like "black as a nigger with soot" appearing in Five Go off to Camp.[15][16] At the time, "Negro" was the standard formal term and "nigger" a relatively common colloquialism. This is one of the most obvious targets for alteration in modern reprints, along with the replacement of golliwogs with teddy bears or goblins. Some of this responses by publishers to contemporary attitudes on racial stereotypes has itself drawn criticism from some who view it as tampering with an important piece of the history of children's literature. The Druce book brings up the case of The Little Black Doll (who wanted to be pink), which was turned on its head in a reprint. Also removed in deference to modern ethical attitudes are many casual references to slaves and to corporal punishment - The Faraway Tree's Dame Slap was changed to Dame Snap and several references to characters in the Malory Towers and St. Clare's series being spanked were changed to them being "scolded". Blyton's attitudes came under criticism during her working lifetime; a publisher rejected a story of hers in 1960, taking a negative literary view of it but also saying that "There is a faint but unattractive touch of old-fashioned xenophobia in the author's attitude to the thieves; they are 'foreign'...and this seems to be regarded as sufficient to explain their criminality."[17] Similarly, some have suggested the depictions of boys and girls in her books were sexist. For example, a 2005 Guardian article[18] suggested that the Famous Five depicts a power struggle between Julian, Dick and George (Georgina), with the female characters either acting like boys or being heavily put-upon. Although the gender issues are more subjective than with some of the racial issues, it has been suggested that a new edition of the book will "address" these issues through alterations, which has led to the expression of nostalgia for the books and their lack of political correctness.[19] In the Secret Seven books, the girls are deliberately excluded from tasks such as investigating the villains' hideouts — in Go Ahead, Secret Seven, it is directly stated "'Certainly not,' said Peter, sounding very grown-up all of a sudden. 'This is a man's job, exploring that coal-hole'".[20] In "The Adventurous 4, the two girls are often sent to do the cooking and washing up for the two boys. In the Famous Five this is less often the case, except Anne doing it voluntarily most of the times, but in Five on a Hike Together, Julian gives similar orders to George: "You may look like a boy and behave like a boy, but you're a girl all the same. And like it or not, girls have got to be taken care of."[21]. Similarly, in "Five have a wonderful time", Anne says "I don't expect boys to tidy up and cook and do things like that but George ought to because she's a girl". To this, George replies "If only I'd been born a boy". This is perhaps the most prominent example of gender stereotyping in her books. It shows that the stereotypes were not just enforced by boys but accepted by girls too. The story of Blyton's life was turned into a BBC film in 2009 with Helena Bonham Carter in the title role. Filming began in March 2009 and first aired in the United Kingdom on BBC Four on 16 November 2009, followed by a documentary on Enid Blyton. Matthew Macfadyen and Denis Lawson played Blyton's first husband, Hugh Pollock, and Blyton's second husband, Kenneth Darrell Waters, respectively.[22]

Izzi Howell

Izzi Howell is the author and editor of over fifty children's books. She lives in East Sussex and enjoys learning languages, cooking and travelling around Europe.

Author Spotlight with Graham Marks

Teri Terry

Teri Terry arrived on the children’s book radar last year with her debut novel Slated, which was immediately shortlisted for a number of prizes, and has recently won the 14-16 category of the Leeds Book Awards. Here she talks to Graham Marks about the extraordinary journey she has taken to become an author – a story almost worthy of a book itself.

Sarah Horne

Sarah grew up in Derbyshire, mainly under a snow drift. She spent much of her childhood scampering in the nearby fields with a few goats. Then she decided to be sensible and studied Illustration at Falmouth College of Arts, graduating in 2001. She has illustrated for many different projects including an ad campaign for Kew Gardens entitled 'Plantastic Play'. She has also undertaken commission from The Guardian and The Independent newspapers. Sarah now specialises in funny, inky illustration and words for children's fiction and picture books. Sarah likes to paint on very big canvas. She loves funny detail, colour, music, dreams and big open spaces. Sarah now works from a studio on a hill in Forest Hill, London.

Louise Spilsbury

Louise Spilsbury is a prolific children's book author. She has written titles on almost every subject, from science and geography through to world affairs, social issues, art, history, and literacy. Louise is married to the author Richard Spilsbury and has two children. She lives and works in Devon.