Related to: 'Ian Beck'

Orchard Books

Orchard Bedtime Stories

Margaret Mayo, Alison Murray
Contributors:
Margaret Mayo, Alison Murray

Find twelve classic nursery stories in this gloriously illustrated hardback treasury - the perfect gift this Christmas!*With a beautiful foil finish*The collection includes favourite fairy tales Goldilocks and the Three Bears, The Elves and the Shoemaker, The Ugly Duckling, The Three Little Pigs and The Town Mouse and the Country Mouse, along with traditional tales such as Anna and the Bear, Twenty Cheeky Monkeys and Little Peachling and the Giants, and more, retold with warmth and humour by acclaimed author Margaret Mayo and stunningly illustrated by bestselling illustrator Alison Murray.

Orchard Books

Dino Duckling

Alison Murray
Authors:
Alison Murray

A funny and touching celebration of difference, based on Hans Christian Andersen's The Ugly Duckling.Dino Duckling can dive, swim and fish just like his duckling brothers and sisters. But when the time comes for the family to fly south for the winter, Dino Duckling finds he really is different ... Can this very special family find a way to stick together?Alison Murray's stylish adaptations of popular nursery rhymes and fables have been shortlisted twice for the prestigious Scottish Book Trust Children's Book Award. Look out for these other delightful retellings of classic rhymes and fables from Alison Murray: The Little Green HenApple Pie ABCHare and TortoiseHickory Dickory DogLittle MouseThe House That Zack BuiltOne, Two, That's My Shoe

Franklin Watts

The Ugly Duckling: El Patito Feo

Anne Walter, Marjorie Dumortier
Contributors:
Anne Walter, Marjorie Dumortier

An accessible introduction to modern languages, these billingual readers Introduce the best loved fairy tales with parallel text in English and French or English and Spanish.

Wren & Rook

The Ways of the Wolf

Smriti Prasadam-Halls, Jonathan Woodward
Contributors:
Smriti Prasadam-Halls, Jonathan Woodward
Orchard Books

Room for a Little One

Martin Waddell
Authors:
Martin Waddell

That cold winter's night, beneath the star's light, a Little One came for the world.The Story of Christmas is told through the animals' words and deeds making it accessible and full of child-appeal. It brings the Nativity to life and offers a universal message about kindness to all creatures. Every word is special in this simple, well-crafted book from master storyteller, Martin Waddell.Perfect for anyone wanting a more traditional retelling of the birth of Jesus for young children.

Orchard Books

Peter Pan

Rose Impey, Ian Beck
Contributors:
Rose Impey, Ian Beck

All children grow up, all except one.The magical story of Peter Pan, the boy who never grew up, has captivated generations of children. Rose Impey's sensitive adaptation of the story makes it accessible to younger children, while retaining the spirit of the original J. M. Barrie text. Ian Beck's enchanting illustrations superbly bring to life this much-loved fantasy - a valuable addition to every child's bookshelf and a perfect companion to the forthcoming film Pan.

Orchard Books

Stories of World War One

Tony Bradman
Authors:
Tony Bradman
Franklin Watts

The Lovely Duckling

Penny Dolan, David Boyle
Contributors:
Penny Dolan, David Boyle

A fabulous retelling of the Ugly Duckling by respected children's author Penny Dolan in which a family of ducklings are all born a little bit strange except for one called Beauty!Hopscotch Twisty Tales combine carefully controlled text levels and word counts with highly entertaining and original stories, perfect for children starting to read independently.

Orchard Books

Orchard Greek Myths

Geraldine McCaughrean, Emma Chichester Clark
Contributors:
Geraldine McCaughrean, Emma Chichester Clark
Orchard Books

The Orchard Book of Stories from the Ballet

Geraldine McCaughrean, Angela Barrett
Contributors:
Geraldine McCaughrean, Angela Barrett

A beautiful new edition of a classic ballet story collection. Travel to the magical Land of Sweets across the Lemonade Ocean in The Nutcracker; be dazzled by the magical Firebird with her flame-bright feathers; and dance until the clock chimes midnight with Cinderella and her handsome prince. Master storyteller Geraldine McCaughrean retells these classic tales with poetry and magic, while renowned artist Angela Barrett's exquisite illustrations dance off the page. "McCaughrean could rewrite the shipping forecast and make is sound riveting - she has a wonderful talent for drawing children straight into the story."The Sunday Telegraph

Orchard Books

The Orchard Book of Hans Christian Andersen's Fairy Tales

Martin Waddell, Emma Chichester Clark
Contributors:
Martin Waddell, Emma Chichester Clark

Welcome to the wonderful fairytale world of Hans Christian Andersen . . . retold for today's children by Martin Waddell, the much-loved author of Owl Babies and Can't You Sleep, Little Bear?This classic collection brings together nine favourite stories, from the fun and humour of the proud Emperor with his splendid new clothes, to the gentle sadness of the Little Mermaid. With a colourful cast of witches, princesses, toys and animals, this rich and varied collection is guaranteed to delight and entertain readers young and old. Emma Chichester Clark's glorious illustrations bring the tales vividly to life, making this book a joy to share and a gift to treasure.

Orchard Books

Ugly Duck Thing

Laurence Anholt, Arthur Robins
Contributors:
Laurence Anholt, Arthur Robins

There was once . . . a mummy duck who laid six eggs. But when they hatched, one of the ducklings was definitely not a duck!

Hodder Children's Books

Father and Son

Geraldine McCaughrean, Fabian Negrin
Contributors:
Geraldine McCaughrean, Fabian Negrin

'So, long after the star had set, after the angels had roosted,after the shepherds had hurried back to their sheep,there was one person still awake in a dark stable,watching over a sleeping child.'Complemented by Fabian Negrin's atmospheric illustrations, this picture book is destined to become a classic.

Emma Chichester Clark

Emma Chichester Clark trained at the Chelsea College of Art and The Royal College of Art before becoming a full-time illustrator. She was awarded the Mother Goose Award in 1988 as the most promising newcomer to children's book illustration. She has since illustrated a number of picture books and collections for Orchard Books, Andersen Press, Pavilion and Methuen.For Orchard Emma illustrated The Orchard Book of Greek Myths in 1992 and in 1997 The Orchard Book of Greek Gods and Goddesses. Both books have been retold by award-winning writer Geraldine McCaughrean, who has retold a number of the Orchard Collections. Emma's lively illustrations perfectly match the magic of the stories which bring characters of Ancient Greece strikingly to life. Emma was also chosen to be one of eight artists to illustrate The Orchard Book of Opera Stories retold by Adèle Geras which was published last Autumn to much acclaim.In 1998 Emma has joined forces with major poet and playwright, Adrian Mitchell, to illustrate his retelling of Robin Hood in The Adventures of Robin Hood and Maid Marian published in June.Emma has also written and illustrated a number of her own books, including Tea with Aunt Augusta, Miss Bilberry's New House and Little Miss Muppet Counts to Ten. She also illustrated some collections written by Laura Cecil including A Thousand Yards of Sea (Methuen), and has recently illustrated Thumbelina (Pavilion) and Little Red Riding Hood (Macdonald Young Books). Emma lives in Fulham in South West London, and has featured in the Illustrators Hall of Fame in The Mail on Sunday with other illustrators including Quentin Blake, Michael Foreman, Shirley Hughes, Anthony Browne and Raymond Briggs.

Wikipedia

Enid Blyton

Enid Mary Blyton (11 August 1897 – 28 November 1968) was a Britishchildren's writer also known as Mary Pollock. She is noted for numerous series of books based on recurring characters and designed for different age groups. Her books have enjoyed huge success in many parts of the world, and have sold over 600 million copies.[1] One of Blyton's most widely known characters is Noddy, intended for early years readers. However, her main work is the genre of young readers' novels in which children have their own adventures with minimal adult help. Series of this type include the Famous Five (21 novels, 1942–1963, based on four children and their dog), the Five Find-Outers and Dog, (15 novels, 1943–1961, where five children regularly outwit the local police) as well as The Secret Seven (15 novels, 1949–1963, a society of seven children who solve various mysteries). Her work involves children's adventure stories, and fantasy, sometimes involving magic. Her books were and still are enormously popular throughout the Commonwealth and across most of the globe. Her work has been translated into nearly 90 languages. Blyton's literary output was of an estimated 800 books over roughly 40 years. Chorion Limited of London now owns and handles the intellectual properties and character brands of Blyton's Noddy and the well known series the Famous Five. Blyton was born on 11 August 1897 at 354 Lordship Lane, East Dulwich, London, England, the eldest child of Thomas Carey Blyton (1870–1920), a salesman of cutlery, and his wife, Theresa Mary Harrison Blyton (1874–1950). There were two younger brothers, Hanly (1899–1983) and Carey (1902–1976), who were born after the family had moved to the nearby suburb of Beckenham—in Oakwood Avenue. Blyton adored her father and was devastated after he left the family to live with another woman; this has often been cited as the reason behind her emotional immaturity. Blyton and her mother did not have a good relationship, and later in life, Blyton claimed to others that her mother was dead. After both her parents did die, Blyton attended neither of their funerals. From 1907 to 1915, Blyton was educated at St. Christopher's School in Beckenham, leaving as head girl. She enjoyed physical activities along with some academic work, but not maths. Blyton was a talented pianist, but gave up her musical studies when she trained as a teacher at Ipswich High School.[2] She taught for five years at Bickley, Surbiton and Chessington, writing in her spare time. Her first book, Child Whispers, a collection of poems, was published in 1922. On 28 August 1924 Blyton married Major Hugh Alexander Pollock, DSO (1888–1971), editor of the book department in the publishing firm of George Newnes, which published two of her books that year. The couple moved to Bourne End, Buckinghamshire (Peterswood in her books).[3] Eventually they moved to a house in Beaconsfield, named Green Hedges by Blyton's readers following a competition in Sunny Stories. They had two children: Gillian Mary Baverstock (15 July 1931 – 24 June 2007) and Imogen Mary Smallwood (born 27 October 1935). In the mid-1930s Blyton experienced a spiritual crisis, but she decided against converting to Roman Catholicism from the Church of England because she had felt it was "too restricting". Although she rarely attended church services, she saw that her two daughters were baptised into the Anglican faith and went to the local Sunday School. Since her death in 1968 and the publication of her daughter Imogen's autobiography, A Childhood at Green Hedges, Blyton has emerged as an emotionally immature, unstable and often malicious figure. By 1939 her marriage to Pollock was in difficulties, and she began a series of affairs. In 1941 she met Kenneth Fraser Darrell Waters, a London surgeon with whom she began a relationship. During her divorce, Blyton blackmailed Pollock into taking full blame for the failure of the marriage, knowing that exposure of her adultery would ruin her public image. She promised that if he admitted to charges of infidelity, she would allow him unlimited access to their daughters. However, after the divorce, Pollock was forbidden to contact his daughters, and Blyton ensured he was unable to find work in publishing afterwards. He turned to drinking heavily and was forced to petition for bankruptcy. Blyton and Darrell Waters married at the City of Westminster Register Office on 20 October 1943, and she subsequently changed the surname of her two daughters to Darrell Waters. Pollock remarried thereafter. Blyton's second marriage was very happy and, as far as her public image was concerned, she moved smoothly into her role as a devoted doctor's wife, living with him and her two daughters at Green Hedges. Blyton's husband died in 1967. During the following months, she became increasingly ill. Afflicted by Alzheimer's disease, Blyton was moved into a nursing home three months before her death; she died at the Greenways Nursing Home, London, on 28 November 1968, aged 71 years and was cremated at the Golders Green Crematorium where her ashes remain. Blyton's home, Green Hedges, was sold in 1971 and demolished in 1973. The area where Green Hedges once stood is now occupied by houses and a street called Blyton Close. A blue plaque commemorates Blyton at Hook Road in Chessington, where she lived from 1920-4. [4] Her daughter Imogen has been quoted as saying "The truth is Enid Blyton was arrogant, insecure, pretentious, very skilled at putting difficult or unpleasant things out of her mind, and without a trace of maternal instinct. As a child, I viewed her as a rather strict authority. As an adult I pitied her."[5] Elder daughter, Gillian, did not hold the same view toward their mother, and Imogen's biography of Blyton contains a foreword by Gillian to the effect that her memories of childhood with Enid Blyton were mainly happy ones. The Red Story Book, The Green Story Book, The Blue Story Book, Bedtime Stories are some other books by Enid Blyton. Blyton wrote hundreds of other books for young and older children: novels, story collections and some non-fiction. She also filled a large number of magazine pages, particularly the long-running Sunny Stories which were immensely popular among younger children. She used a pseudonym Mary Pollock for a few titles (middle name plus first married name). The last volumes in her most famous series were published in 1963. Many books still appeared after that, but were mainly story books made up from recycled work. Blyton also wrote numerous books on nature and Biblical themes. Her story The Land of Far-Beyond is a Christian parable along the lines of John Bunyan's Pilgrim's Progress, with modern children as the central characters. She also produced retellings of Old Testament and New Testament stories. Enid Blyton was a prolific author of short stories. These were first published, for the most part, in Sunny Stories, an Enid Blyton magazine, or other children's papers. She also used to explore the forests when she was a little girl and wrote of her dreams in a notebook kept by her bedside. In February 2011, the manuscript of a previously unknown Blyton novel, Mr Tumpy's Caravan, was discovered in a collection of her papers which had been auctioned in 2010[6] following the death of her elder daughter in 2007.[7] Blyton books are generally split into three types. One involves ordinary children in extraordinary situations, having adventures, solving crimes, or otherwise finding themselves in unusual circumstances. Examples include the Famous Five and Secret Seven, and the Adventure series. The second and more conventional type is the boarding school story; the plots of these have more emphasis on the day-to-day life at school. This is the world of the midnight feast, the practical joke, and the social interaction of the various types of character. Examples of this type are the Malory Towers stories, the St Clare's series, and the Naughtiest Girl books and are typical of the times — many comics of the day also contained similar types of story. The third type is the fantastical. Children are typically transported into a magical world in which they meet fairies, goblins, elves, pixies, or other fantasy creatures. Examples of this type are the Wishing-Chair books and The Faraway Tree. In many of her short stories, toys are shown to come alive when humans are not around. Enid Blyton's status as a bestselling author is in spite of disapproval of her works from various perspectives, which has led to altered reprints of the books and withdrawals or “bans” from libraries. In the 1990s, Chorion, the owners of Blyton's works, edited her books to remove passages that were deemed racist or sexist.[8] The children’s author Anne Fine presented an overview of the concerns about Blyton's work and responses to them on BBC Radio 4 in November 2008, in which she noted the “drip, drip, drip of disapproval” associated with the books.[9][10] It was frequently reported (in the 1950s and also from the 1980s onwards) that various children's libraries removed some of Blyton's works from the shelves. The history of such "Blyton bans" is confused. Some librarians certainly at times felt that Blyton's restricted use of language, a conscious product of her teaching background, militated against appreciation of more literary qualities. There was some precedent in the treatment of L. Frank Baum's Oz books (and the many sequels by others) by librarians in the United States in the 1930s. There were numerous critical comments about Blyton: claiming that her vocabulary was too limited, that she presented too rosy a view of the world, even suggestions that little Noddy's relationship with Big Ears was "suspect", that he was a poor role model for boys because he sometimes wept when frustrated and the laws were politically incorrect. A careful account of anti-Blyton attacks is given in Chapter 4 of Robert Druce's This Day Our Daily Fictions. The British Journal of Education in 1955 carried a piece by Janice Dohn, an American children's librarian, considering Blyton's writing together with authors of formula fiction, and making negative comments about Blyton's devices and tone. A 1958 article in Encounter by Colin Welch, directed against the Noddy character, was reprinted in a New Zealand librarians' periodical. This gave rise to the first rumour of a New Zealand "library ban" on Blyton's books, a recurrent press canard. Policy on buying and stocking Blyton's books by British public libraries drew attention in newspaper reports from the early 1960s to the end of the 1970s, as local decisions were made by a London borough, Birmingham, Nottingham and other central libraries. There is no evidence that her books' popularity ever suffered: her response to criticism is said to be that she was not interested in the views of critics aged over 12.[11] Blyton was defended by populist journalists, and others. In November 2009 it was revealed in the British press that the BBC had a longstanding ban on dramatising Blyton's books on the radio from the 1930s to the 1950s. Letters and memos from the BBC Archive show that producers and executives at the time described Blyton as a "tenacious second-rater" who wrote "stilted and longwinded" books which were not suitable to be broadcast. In 1936 Blyton wrote to the BBC suggesting herself as a broadcaster, pointing out that she had "written probably more books than any other writer." She was turned down. In 1938, Blyton's husband, Hugh Pollock, wrote to Sir John Reith, the then Director General of the BBC, pointing out that his wife was receiving letters from children from all parts of the British Empire, and that she should be allowed to speak to them via the radio. Jean E. Sutcliffe, of the BBC's schools broadcast department wrote, "Her stories...haven't much literary value. There is rather a lot of the Pink-winky-Doodle-doodle Dum-dumm type of name (and lots of pixies) in the original tales."[12][13] Enid Blyton tried to get her work on the radio again in 1940, but her manuscript was once more turned down, the BBC employee who reviewed it writing, "This is really not good enough. Very little happens and the dialogue is so stilted and long-winded...It really is odd to think that this woman is a bestseller." Eventually, in 1954, Blyton's works appeared on air for the first time. Jean Sutcliffe wrote of Blyton's ability to churn out "mediocre material", and that "Her capacity to do so, amounts to genius...anyone else would have died of boredom long ago." Michael Rosen, the former Children's Laureate, said of the BBC's ban on Blyton, "...the quality of the writing itself was poor...it was felt that there was a lot of snobbery and racism in the writing...There is all sorts of stuff about oiks and lower orders."[12] The books are very much of their time, particularly the titles published in the 1950s. They present the UK's class system — that is to say, "rough" versus "decent".[14] Many of Blyton's children's books similarly reflected negative stereotypes regarding gender, race, and class. One incidence of altering this type of dated material might be the altering of a statement like "black as a nigger with soot" appearing in Five Go off to Camp.[15][16] At the time, "Negro" was the standard formal term and "nigger" a relatively common colloquialism. This is one of the most obvious targets for alteration in modern reprints, along with the replacement of golliwogs with teddy bears or goblins. Some of this responses by publishers to contemporary attitudes on racial stereotypes has itself drawn criticism from some who view it as tampering with an important piece of the history of children's literature. The Druce book brings up the case of The Little Black Doll (who wanted to be pink), which was turned on its head in a reprint. Also removed in deference to modern ethical attitudes are many casual references to slaves and to corporal punishment - The Faraway Tree's Dame Slap was changed to Dame Snap and several references to characters in the Malory Towers and St. Clare's series being spanked were changed to them being "scolded". Blyton's attitudes came under criticism during her working lifetime; a publisher rejected a story of hers in 1960, taking a negative literary view of it but also saying that "There is a faint but unattractive touch of old-fashioned xenophobia in the author's attitude to the thieves; they are 'foreign'...and this seems to be regarded as sufficient to explain their criminality."[17] Similarly, some have suggested the depictions of boys and girls in her books were sexist. For example, a 2005 Guardian article[18] suggested that the Famous Five depicts a power struggle between Julian, Dick and George (Georgina), with the female characters either acting like boys or being heavily put-upon. Although the gender issues are more subjective than with some of the racial issues, it has been suggested that a new edition of the book will "address" these issues through alterations, which has led to the expression of nostalgia for the books and their lack of political correctness.[19] In the Secret Seven books, the girls are deliberately excluded from tasks such as investigating the villains' hideouts — in Go Ahead, Secret Seven, it is directly stated "'Certainly not,' said Peter, sounding very grown-up all of a sudden. 'This is a man's job, exploring that coal-hole'".[20] In "The Adventurous 4, the two girls are often sent to do the cooking and washing up for the two boys. In the Famous Five this is less often the case, except Anne doing it voluntarily most of the times, but in Five on a Hike Together, Julian gives similar orders to George: "You may look like a boy and behave like a boy, but you're a girl all the same. And like it or not, girls have got to be taken care of."[21]. Similarly, in "Five have a wonderful time", Anne says "I don't expect boys to tidy up and cook and do things like that but George ought to because she's a girl". To this, George replies "If only I'd been born a boy". This is perhaps the most prominent example of gender stereotyping in her books. It shows that the stereotypes were not just enforced by boys but accepted by girls too. The story of Blyton's life was turned into a BBC film in 2009 with Helena Bonham Carter in the title role. Filming began in March 2009 and first aired in the United Kingdom on BBC Four on 16 November 2009, followed by a documentary on Enid Blyton. Matthew Macfadyen and Denis Lawson played Blyton's first husband, Hugh Pollock, and Blyton's second husband, Kenneth Darrell Waters, respectively.[22]

Giles Andreae

Giles Andreae is the author of many top-selling, award-winning picture books. These include Rumble in the Jungle, Commotion in the Ocean and I Love My Mummy. However, it is for the international bestseller Giraffes Can't Dance that he is best known. Giles is also the creator of Purple Ronnie, Britain's favourite stickman, and of the artist/philosopher, Edward Monkton. These two ranges of greetings cards, books and merchandise have made Giles the country's top-selling living poet. Giles lives with his wife, Victoria, a children's clothes designer, and their four young children by the river in Oxfordshire.

Wikipedia

Ian Beck

Ian Archibald Beck (born 1947 in Brighton) is an English children's illustrator and author. In addition to his numerous children's books, he is also most famous for his cover illustration on Elton John's Goodbye Yellow Brick Roadalbum. He has sold more than a million copies of his books worldwide.[1] Having attended a local secondary school, Ian Beck was encouraged by the art teacher and headmaster to attend Brighton College of Art where he studied illustration and graphic design, being taught by Raymond Briggs and John Vernon Lord[2] and in 1968 he graduated.[3] He then moved to London, as a freelance illustrator while working part time at Harrods in the toy department. He gradually built up a clientel, working for consumer magazines like Good Housekeeping, Cosmopolitan, and Homes and Gardens. He also began making advertisements for the recording industry, for artists like Ry Cooder and Richie Havens. He then went into designing and illustrating album covers as well such as Goodbye Yellow Brick Road, for Elton John. He carried on working in the record industry until the early 1980s.[3] He has had many commissions from the Conran Design Group, including packaging, greeting cards, calendars, interior design panels. He also had a commission for murals in a restaurant at Gatwick Airport.[2] Oxford University Press had seen some drawings he had done for the Radio Times and wanted him to illustrate a project for children for them, which they wanted to publish.[3] His first picture book, Round and Round the Garden, was published in 1982.[1] After the success of this book, others followed and in 1989, he wrote his first story to illustrate, The Teddy Robber. In 1997 his book, Home Before Dark won a gold award in the best toy awards and in 2000 he again won the award, this time for Alone in the Woods. He again won the award for The Happy Bee. He was the Master of the Art Workers Guild in 1999.[4][5] He produced his first novel The Secret History of Tom Trueheart, Boy Adventurer, which was released on 1 June 2006, followed by the sequelTom Trueheart and the Land of Dark Stories, which was published on 6 March 2008 and finished the series with Tom Trueheart and the Land of Myth and Legends on 2 September 2010.[6] He is married to Emma Stone, with three children and continues in close touch with children through regular visits to schools and libraries, talking about the creation of his books and reading stories.[7]

Sophy Williams

As a child Sophy travelled widely with her family and lived in Singapore, the Middle East and Hong Kong. She came back to the UK to take her O' Levels and A' Levels and went on to Kingston Polytechnic and studied for a BA in Graphic Design and Illustration.Sophy has illustrated a number of books, including When Grandma Came (Penguin) which was a runner up in the Mother Goose Award 1992. For Orchard Books Sophy has illustrated The Orchard Book of Starry Tales, retold by Geraldine McCaughrean, The Night You Were Born, by Wendy McCormick, a touching picture book with rich and warm illustrations and The Orchard Book of Ghostly Stories. Sophy's latest Orchard Book's title is Princess Pearl, an exquisitely told and stunningly illustrated contemporary fairy tale about staying true to your heart despite desperate odds. Sophy lives in Bradford-on-Avon with her partner Mark and their two children, Oscar and Leo.

Author Spotlight with Graham Marks

David Almond

David Almond is an award-winning author and playwright with an international reputation, as well as being a Professor of Creative Writing at Bath Spa University; his books include Kit’s Wilderness, The Fire-Eaters, Clay and My Name is Mina. Here he talks to Graham Marks about life before and after his debut novel, Skellig, which is about to celebrate it’s 15th anniversary…

Wikipedia

Geraldine McCaughrean

Geraldine McCaughrean (pronounced "Muh-cork-run")[1] (born 6 June 1951) is a Britishchildren's novelist. She has written more than 150 books and her work has been translated into 42 languages worldwide.[citation needed] She may be known best for writing the authorized sequel to Peter Pan in 2006. McCaughrean is the youngest of three children. She studied teaching but found her true vocation in writing. She claims that what makes her love writing is the desire to escape from an unsatisfactory world. Her motto is: do not write about what you know, write about what you want to know. Her work includes many retellings of classic stories for children: The Odyssey, El Cid, The Canterbury Tales, The Pilgrim's Progress, Moby Dick, One Thousand and One Arabian Nights and Gilgamesh. J. M. Barrie gave all rights to Peter Pan to Great Ormond Street Hospital in 1929, and in 2004, to coincide with Peter Pan's centenary, the hospital launched a competition to find the author of a sequel. McCaughrean won the competition, after submitting a synopsis and a sample chapter.[2][3]Peter Pan in Scarlet was released internationally on 5 October 2006, and published in the UK by Oxford University Press and in the US by Simon & Schuster. McCaughrean has written many other children's fiction books including The Kite Rider, The Stones Are Hatching, and Plundering Paradise. She has also written six historical novels for adults. McCaughrean has won several annual book awards. For A Pack of Lies (Oxford, 1988), a collection of historical stories in a frame narrative, she won the two most prestigious British children's book awards. The Carnegie Medal conferred by the Library Association recognised the year's best children's book by a British subject. The Guardian Prize is similar but once-in-a-lifetime, and judged by a panel of British children's writers.[a] Stop the Train (Oxford, 2001) was "Highly Commended" for the Carnegie Medal.[6][b] From 1988 to 2011, McCaughrean has six times made the Carnegie shortlist that typically comprises eight books. McCaughrean was elected an Honorary Fellow of Canterbury Christ Church University in 2006. She was elected a Fellow of the English Association in 2010 and a Fellow of the Royal Society of Literature in 2010.[7]